A
DJ should have his own unique style,
but all are just an offshoot of the following mixing styles terms. This is just
the first installment of three.
Backspin
This
is the act of spinning records backwards for a quick and short spurt. The DJ creates a sound effect, as well as gives
more energy.
Bleeding
This
happens when the crossfader breaks up
after being used for long. When a crossfader
is fully to one side, an opposing channel must not be heard, but since the crossfader is broken it allows a
“bleeding” through of its opposing channel. It makes it hard to control the
channel heard by the audience.
Break
Is
a moment during play of a track where its main beat becomes a little more
subtle. The music industry has ‘discovered’ breaks and made tracks that are a completely
new electronic music genre that’s composed almost wholly of breaks. The break
usually happens between downbeats and may last for greater than a loop.
Build
This
is the moment in musical tracks that has a building sensation that’s strong and
climaxes in an explosive sound and is followed by the main beat or a break. The
build creates energy in the crowd.
Crossfader
Is
the sliding device located on a mixing board that allows a DJ to move audio output smoothly from right to left or vice versa.
The movement causes a decrease in volume and increase in the source. It’s also
known as a fader and when its one side completely, only that audio source will
be played.
Cueing
It’s
finding the right opening point in a track. When using vinyl records, the DJ places the needle in a groove then
moves it back and forth until it reaches the opening point. For CD players, one
just selects the track and can scan through it to get the right point.
Downbeat
It’s
the loops first beat commonly indicated with an extra sound burst or accent
from an instrument, say crash cymbals. For instance, if a track has sixteen
beat loops then you should notice a downbeat after 16 beats each time.
Loop
Electronic
dance tracks have sound loops. The loop is the sound played over and over
again. The sequence is coherent. A track can have many loops, but they might
not be played during the track. The most common loop has 16 beats.
Scratching
This
is achieved by moving the record needle
along the groove front and back to
cause a sound. The record will be played backwards and forwards at varying
speeds. As the Toronto DJ does this, he will
have one of his hands on the fader and the other on the record. The fader
should be used to vary volume to create unique sounds.
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